ChuhaiNews is kept like a gazette desk: one deep violet worktop, one stack of large blank broadsheet sheets weighted at the corners, a row of plain unmarked press plates, and low midnight light where portraits are actually made — the broad sheet is simply the house format here, the big page every portrait is laid out on before it is finished. Register one fictional adult character, write her gazette card once, and every tool at the desk — stills, video, edits, swaps, finishing — works from that same card, laid out the same way at every step. The word in the name means that sheet and its layout, nothing else: this desk composes pictures, it does not report anything. Costs are quoted before a job runs, results rest private in your account until you release them, and a failed job refunds itself. No anonymous use, no mystery pricing: a desk, a card, and a clear price sheet.
Free to register. Check in daily to collect 6 credits — exactly the cost of one standard image, one picture a day from the gazette desk.
Most studios make you re-describe your character at every desk and then wonder why she changes. ChuhaiNews keeps one gazette card pinned above the worktop and passes it down the line, laid out the same way every time. The Gazette card beside each tool states its input, output and price before you commit a single credit, and credits themselves are studio credit only, with no cash value and no way to exchange or redeem them. The broadsheets are the layout paper of this desk and nothing more.
Text-to-image for fictional adult characters. Write her gazette card once and hold every later job to it.
In MotionText-to-video and image-to-video. Give a proven still one clear movement, quoted by duration and resolution first.
Guarded · TransformConsented transformations of your own photographs and your own generated characters. No one else’s material, ever.
RepairsOne precise change at a time — wardrobe, setting, light — for frames that miss by a single detail.
Hold the FaceCarry her face onto new stills, so a whole set still reads as one and the same woman.
FinishingFinished clips brought up to the size their destination requires. Finishing is the last stop, never the first.
Age, hair, build, face and one signature detail, in fixed lines you paste rather than retype. A card rewritten from memory drifts; a card pasted word for word holds.
Stills first, then motion, repairs and finishing — each job shows its exact credit cost before you confirm it, and each result is judged against the card before it is kept.
Everything rests private in your account. Upscale and publish only what earned it; the gallery shows only what makers deliberately put there.
The gallery shows only the frames and clips their makers chose to put on display. The house default is private; appearing here is always a deliberate decision by the person who made the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the workload outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start at the gazette deskProduction notes on character consistency, prompt systems and delivery specs.
An upscaler raises resolution, not fidelity. Judge motion against the record, at the joins, before finishing money is spent.
Feelings are generous after an hour of generating. Five checks you can run in under a minute, and the threshold a frame…
A character stays herself because her gazette card never changes. The five fixed lines, the version habit, and what to check when…